Diamonds on the West Coast

Diamonds, like all other products, have been given to man to utilize and create jobs. If you are not into the romantic side of these blingy bits, consider that they are also very useful in industry because of their hardness and strength.

I found these lovely colourful diamond trawlers at Lambert's Bay, the best area for maritime diamond mining. This industry has only been commercially viable since the 1990's. Seabed crawlers can be remote controlled but mostly divers are needed. These divers, who can only work about six days per month because of our famous stormy waters, have to work in the cold of the Atlantic Ocean for up to 8 hours. When they spot diamond-bearing gravel on the seabed they direct the suction hoses towards it.

The gravel is then pumped onto sorting tables. When the boats return, the diamonds are taken ashore. What I loved about this scene was the hollow hoses floating on top the water, providing seating for hundreds of Cape Cormorants.

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Darling Angels

We could not believe that such a day was possible in the middle of summer: cold, wet, windy, the Full CapeTreatment! But, it was the day of the opening of the "Angels" Exhibition in our closest little town, Darling. I thought I would say very little (only this: The glass of Ormonde wine was very welcome!) and rather show lots of photos of the work of my closest artist friends and myself. My own contribution was two very sweet angels, first and second photos and one serious one. There is also a photo of the Mantis Art Gallery where it was held.

I need to say more of my serious angel. I saw this image as a large sculpture in Budapest when I had a solo exhibition there. It was midday and my photo showed a shadow so dark, it looked like a sharp gash through the sculpture. I loved the idea of going against all the rules in art to show a very strong vertical like that through the painting. It can resemble a Cross....and with it some inner emotion and loneliness.

For this exhibition we concentrated on small 8x8 affordable artworks, so the images are going at really good prices.

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The Fiscal Shrike

I took a photo of the lovely program for the Slice of Life Exhibition. How neat the gallery looks! This show with it's mass of even-sized paintings will run until the 21st of January 2011. I hope to receive some news about my set of birds! I could have painted 5 gannets and 5 of seagulls, but am so fond of sets of four, that I filled the remaining two blocks with something different. So here is the image of my little shrike.

As you know, there are no trees here on the West C0ast, so all the small birds around here perch themselves on top of the bushes that we call "fynbos". The fiscal shrike is such a cute round little creature as he scans the world all around for insects. I have never came upon a fiscal shrike larder here, but as a child we had a barbed wire fence and my dad would call us every time he found a larder....oh my, what a grizzly experience this was for a little girl!!! But I never missed a chance to see crickets, worms and grasshoppers impaled on pieces of barbed wire, left there to dry in the breeze like our fisherman do with the snoek and bokkoms!

Do you know the Fiscal Shrike? It lives all over our country, but this little one was only a few meters from the ocean.

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More and more Gannets!

By now I think everyone must realize that I cannot let go of the gannets of Lambert's Bay. Suddenly I see seabirds in my future as an artist: going into more and more detail and entering the world of Wildlife Art by painting the precious and protected birds of the West Coast.

The great exhibition of 630 works by 63 artists, called "A Slice of Life" opens this week in Somerset West. On the 10 wooden blocks I received, I used 4 for my gannets. I showed one piece last week, and here are the three others. You can see how they all look together in the first photo.

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The West Coast at Springtime

I have been working on 10 paintings for an exhibition and finished the last one yesterday! They are all West Coast themes and meant for an invited show of 63 artists each doing 10 paintings of the popular 8 x 8 size. "A SLICE of LIFE "Exhibition will show all 630 paintings on one gallery wall!

Before I start blogging and chatting about these completed works, I would love to show my favourite photos of the coastal flower displays not far from my home during Springtime.

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A West Coast morning exhibition in Pretoria

The moment that I met a new friend, Zelda, on Facebook a year ago, she enthusiastically offered me an informal morning exhibition in Pretoria. To make things easy, I packed mostly smaller and unframed paintings. We could not wish for a lovelier Pretoria spring morning!.

1)The first photo shows the imposing gates of Zelda's home with a mass of sweetpeas in bloom.

2)Soon I had some flowers in my hand for a playful photo-session with my graceful hostess.

3)The paintings stood everywhere between roses, silver bowls and in the pretty garden.This painting of a lighthouse was the first to sell.

4) The cupcakes which the guests had with long girly-type drinks or champagne.

5) More artful cupcakes, as delicious as they look!

6) The antique roses that filled the house.

7) Gentle background music and french songs by Esperance.

8) A tearful meeting with Debbie whom I have met on blogging, Facebook and RedBubble! (The tears of emotion were mine!)

At the end of the day, I have sold 9 paintings and gave away two little ones as gifts. And of course, Zelda got the autumn doll painting that she loved.

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An article about me

An article about me was published in SA ART TIMES AUGUST 2010, and is called MARIE THERON The Real West Coast:

THE WATERCOLOUR YEARS: Her first love was watercolours and she spent most of the eighties and nineties exhibiting and demonstrating the medium, designing stationery and doing book and botanical illustration. Lecturing at Bellville Art Centre, Constantia and the Western Cape countryside, hundreds of students benefitted from her watercolour courses.

MIDDLE PERIOD: Marie retired from teaching and entered a hectic period doing large colourful acrylics. From 2001 to 2004 she held several solo exhibitions, for instance in Budapest with sales to the South African and Canadian embassies and one painting ending up in the collection of President …….of Croatia. It was followed by an exhibition “ The Timeless Charm of Croatia” which opened in The Old Cape Town House, then moved to Sandton Art Gallery and The Croatian Embassy in Pretoria. The exhibition was a sell-out with the artist retaining 4 paintings for her own collection. It also led to commissions from the Croatian first secretary for his new Embassy post in Toronto. In 2005 The Pretoria Art Association commissioned paintings from 20 artist throughout Africa for a world touring exhibition “The Challenge of the Tie” where the role of Croatia as home of the tie was celebrated .Marie’s painting “Sister Power” now hangs in the permanent collection of Galleria Cravatica in Zagreb.

THE REAL WEST COAST: A profound change took place when Marie settled at the seaside on the lovely West Coast. So –called “West Coast Art” lacks in sincerity and makes use of stagnant little make-believe scenes of boats and cottages. It is the artist’s most passionate ambition to put this right. She visits and paints throughout the region and posts both paintings and history of the West Coast on her very popular and widely read blog, ARTIST MARIE THERON CHRONICLES THE WEST COAST OF SOUTH AFRICA. All the images used in this profile are from her West Coast blog.

This article gave me a lot of joy. The magazine is unfortunately difficult to get on the normal circuit of book shops and news agencies. A few of my friends could get hold of a copy at art galleries or larger city stores. It can be read online in pdf format for a short period only.

I am often asked about that painting in Zagreb called "Sister Power." As you can read above, it resides in the Acedemia Cravatica. Surely, in Croatia, they are extremely proud of having given birth to the tie. Imagine paying some South African and other artists to give their interpretation of a tie! Go to the gallery's fan page on Facebook and see the fun festivals and mile-long ties, etc!In my painting I used the tie as a token of power and painted ties around the necks of young African girls, symbolizing the future of women in Africa.

After leaving your comments, here are some links:

Read my article online pages 32 and 33 during August 2010 only

Visit Academia Cravatica on the Facebook pages and Internet

You can see "Sister Power" here

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All quiet here in the mist!

SOLD

This is my third post in which I will try to portray the tranquility and quiet simplicity of life on the West Coast. This scene is very close to home now. The plain hedge made of saplings form the only fence between our home and the wilder parts of the reserve.

A little sparrow passed by on a misty morning and rested on the fence for a moment. My guest photographer, Jon Ivins, captured the image on camera and I used several techniques to portray it. This included very wet paint on a thin wet layer of white acrylic paint, wet-on-wet painting, and some scratching out. The woody rails and the sparrow were painted with dry undiluted acrylics.

The other photos were taken close by. Aren't they super? Jon is a professional photographer who covers great sporting events, but his food photos may also make your mouth water on the wall of a fast food place! Or else, he aims at nature, in all it's beauty, or even go underwater to show a paddling event from another angle. I think I will disclose that he is also my son-in-law! You can visit the wonderful world of Jon Ivins here, and there is some snazzy music too!

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Chimneys and Saplings

150 x 200 Acrylic on canvas board.

To buy or review, click here

I am still finding lovely details in the homes of Paternoster, details that salute the cottages of the past. A chimney, of course is most important. All the fishermen's cottages used to have enormous wood-firing ovens inside with plastered outside chimneys. I showed many of these chimneys in cottages in my earlier posts last year. Here you see a modern version.

Then there were saplings, the almost straight thin branches used for ceilings, and in my painting used as veranda coverings. In my own home saplings give a cozy atmosphere to the main bedroom. There are 3 paintings in this little set now, and I will leave it at that. The photo shows the set together.

It is shiveringly cold in the Cape at the moment. Not being able to leave the house or to travel at all, I have rounded up some friends who gave me photographic material for the next three West Coast stories. There are some paintings taking form at this very moment. The first of these: another West Coast bride! Remember Canadian beauty, Melissa in my older blog The Bride and the Sea? So I am painting my second wedding!

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Boat Planter

6 x 8

Acrylic on canvas board.

To buy or preview

I am still captivated by the detail that makes up the brilliant white, postcard pretty Paternoster! So, what is in fact happening here is that another set of paintings is developing.

The town's historical role of fishing village is nowadays also echoed in the newer homes. Here we see an old boat painted, anchored with some rocks from the ocean and turned into an attractive planter. This is not a one-off idea! I love the fact that there are street upon street of these boats in front of the cottages. In my painting, the flowers are once again orange, the complimentary colour for the blue shutters.

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Windows and Walls

6 x 8 (Acrylic on canvas board).

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Driving through the small town of Paternoster, I am starting to concentrate on the lovely details that make up the whole of this successful architectural venture. Of course, because this is a rather chatty sort of blog, you must refer to the experts if you want to build a proper West Coast cottage. The information will be available at VASSA ( Vernacular Architecture Society South Africa).

The walls should be roughly plastered. As the first freed slaves and early fisherman a few hundred years ago did not have all the tools, one should try to emulate the true texture of early West Coast cottages! The cement was made in lime kilns as I have explained in an older blog. This lime was also mixed with salt to "paint" the walls white.

Windows and doors were made from the salvaged wood from the many ships that met their ends on this coast. As the ships were painted for protection, the locals would always try to get hold of paint to repaint their woodwork. Blue and sometimes green were the preferred colours. Today the blue shutters, doors and windows give unity to the street scenes. I loved the way the orange aloes complimented the blue shutters in this scene. And please do not miss the rocks on the roof as if they are anchoring the corrugated roof and chimney. Ah, detail is everything!

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Cape Columbine Lighthouse

16 x 20

Acrylic on stretched canvas.

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The Cape Columbine Lighthouse is on the South side of Paternoster where it is built high on Castle Rock in a nature reserve. The rewards from spices and porcelain from the East must have outweighed the dangers for many merchant ships from Europe. How else would they sail along the treacherous West Coast of the Cape with its offshore reefs, knowing that they could easily share the watery grave of in excess of 200 ships?

This very attractive lighthouse is unusual in shape as it was built in the popular Art Deco style of the 1930's. It was the last manned lighthouse in South Africa and was a sensation because of its flashing lamp that replaced earlier oil- and- wick systems. It is visible for 32 nautical miles and the safety of current-day ships is also assured by radio signals and a foghorn.

I finished this scene some days ago. I added these close-up seagulls to the composition. But now I am somewhat puzzled and doubtful....can such a scene where the artist is supposed to be on ground level, but a bird's eye view prevails, really exist? Nevertheless, we will let it pass!

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A little bit "French"!

12 x 9
Acrylic on canvas board
SOLD. CLICK HERE TO BUY CARDS OR PRINTS OF THIS IMAGE

"Die Winkel op Paternoster" (it translates as : The Shop at Paternoster) is probably the most photographed building in this postcard- pretty town.

I decided to focus on some interesting detail and liked this French-looking corner where the three red shapes met. The red objects are: the barn door, the frame of the blackboard menu, and the red dragon on the antique enamel signboard (Mobiloil). I call this scene a little bit French because Afrikaans-speaking families have French genes among others!

Wow, I realize now that I am o-o-o-o-old enough to remember village shops with enamel signs! The rust from the screws would run down the paint of the outer walls! At about five years of age I carried our freshly-laid eggs in a brown-paper bag to a shop called "Driewald Kontantwinkel". The shop owners gave us credit for Mom's lovely eggs!

Reminiscing aside, this shop at Paternoster is a 'must visit'. Who can resist West Coast delicacies, home baked confectionery and colourful preserves? The shop brims with nostalgic items like enamelware and old porcelain. A coat rack with hats.....postcards..... a feast for the eyes!

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Folks and fish #4

In the last of this 4-part series, I stopped some anglers who were on their way to a high rocky outcrop. While I asked questions of one guy, his friends cast some lines into the rushing surf, prior to climbing to their favourite rock. How lonely it must be sitting there on the cold rocks! One needs such patience! Somewhere I read that God would not detract from a person's years on earth the time he spent fishing!

The main aim of these men were to catch fish for the pot. I wish I can visit one of these homes to see the wonderful local recipes being created in the West Coast kitchens. The fish found here, close to Kabeljoubank are Cape Salmon (Geelbek), Yellowtail (Geelstert), Kabeljou (Cob) and the evasive and protected National fish of South Africa, called Galjoen. "What if there are no bites?" we asked. The old man laughed: " Then we must buy some Snoek!" he said. Yup, that will surely be better than arriving home with no fish at all to the wife waiting and ready with onions and skillet!

What I enjoyed about this painting was the pattern of vertical lines! Vertical lines are a symbol of masculinity(like soldiers with swords, like trees in a forest) I had to paint these lines freehand and had one chance to do them, they are shaky and so they will remain. Today, I am also showing the complete set which now resides in a city far from here.

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Folks and Fish #3

Of course we have already learnt a lot about the bokkom industry on the West Coast. First I painted a little row of bokkoms being salted and hung out to dry. Then the second stage was shown where they were peeled and made ready to be eaten.(Remember my homemade bread, apricot preserve and slivers of salty bokkoms served with coffee?)

This painting, third in the set "Folks and Fish", shows the largest of the bokkom drying barns on the banks of the Berg River at Velddrif where thousands of little mullet fish can be seen any day of the week. The bokkoms take 8 days to dry, depending on the weather and air circulation Janine is the petite lady who has managed this factory with its large salt bins and many hanging lathes for more than 12 years. This quietly dignified lady had me spellbound as she pointed out the many aspects of this industry which provides both jobs and food for the local people.

It would be easy to export the dry snacks with their sweet fishy smell or even introduce them to Johannesburg and other South African cities. But of course, it is a born and bred local taste that takes a bit of getting used to. As Janine stands there with her old-fashioned set of scales, she probably sees the same customers day by day.

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Folks and Fish # 2

From my studio I can see Kabeljoubank where the snoek hang out to dry with Table Mountain in the distance. If the motorists racing past on the R27 will only spend 15 minutes to drive to this rocky outpost, they can observe a centuries old West Coast custom of drying salted fish in the open air and seabreeze.

My models are not the owners of the fish, but are helping to turn and guard them for a small daily fee. On my first visit two years ago they were timid in front of the camera and extremely shy of the easel and paints set-up. Now, for a small modelling fee, they hold out the snoek so I can observe the lovely pinks of the wet fish and the blue and turquoise colours when the sun reflects the oil in the fish.

The painting, I think, is my least favourite of the "Folks and Fish"set of four because of the bright sunlight and deep shadows. I much prefer the cloudy moods of the West Coast for my paintings. New readers can read more about snoek in two of my older posts: Snoek drying on the fence, and Smoorsnoek prepared in a country kitchen.

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Folks and Fish # 1

This is the first painting of a set of four works, of which I have shown the preparatory sketches in the previous post. Working at them I am conscious of the poverty of the area and the plight of those brave souls, the sustenance fishermen, who face the sea day by day.

My model shows two of the four crayfish he is allowed to catch for his daily quota during the crayfish season. It will be safer for the men to catch the monthly allowance in one single day, and not face the sea so often, but unfortunately such a system will be difficult to control. (Crayfish can become very scarce and must be protected.)

Crayfish holes are marked by experienced fishermen, who will put on diving suits and retrieve their quota. Older people and non-swimmers can catch theirs by netting from the quay that conveniently projects into the sea like it does at Yzerfontein. Everybody keeps a measure handy as undersized specimens must be returned to the sea immediately.

We usually buy crayfish in Velddrif when they are in season and available, so I decided to use the harbour at Velddrif as a background for the painting. New visitors can read more about crayfish on the West Coast in my post: Crayfish Coast.

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Post # 100!! Art Blogging is Tops!

This is my hundredth post. I have not completed a painting as I am working on a commission and the sketches took some planning. One of them will be finished for the next blog. They are all about the people of the West Coast and what they do. I think I will call the set:Folks and Fish

I love art blogging! Art blogging is Tops! In no other way would one be so committed to paint year in, year out and that without a sense of rushing. (One or two exhibitions a year make up for the rushing part!) My nicest surprises as a new art blogger were when I featured on other art or travel blogs.

1. South African Blog of 2009 winner PORTFOLIO gave me a short feature in November: Marie Theron-Documenting the Real West Coast in Paint and Words .
2. This was followed by another article on PORTFOLIO in December: 10 Questions for West Coast Artist Marie Theron .
3. Here is an article Marie Theron-West Coast Artist which appeared on Bokkom.
4. In the beginning of 2010 Katherine Tyrrell started 'The Art of The Landscape' and bloggers were challenged to analyse their own paintings. I liked the idea and wrote: The Wheatfield and Why it was Successful. Katherine, a top 5 blogger in the UK placed me in an article: Self-Critique Marie Theron.
5. What a lovely surprise it was when 'Art with Liz' made special mention of my work on the West Coast in the post Bergriver, Velddrif.
6. Friendly Liz visited me at home in April where we shared sherry and a fire and chatted up a storm. She wrote: Velddrif in April. I featured in many of the comments from her friends too! Bloggers are so kind!
7. Paying my regular online visit to Postcards from the Hammer, Catherine Jeffrey's blog, I was very thrilled to find my name in the post Yonge Street Patterns 2, Toronto, Ontario.

My husband once teased that bloggers give each other a warm feeling! Exactly!

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