Windows and Walls

6 x 8 (Acrylic on canvas board).

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Driving through the small town of Paternoster, I am starting to concentrate on the lovely details that make up the whole of this successful architectural venture. Of course, because this is a rather chatty sort of blog, you must refer to the experts if you want to build a proper West Coast cottage. The information will be available at VASSA ( Vernacular Architecture Society South Africa).

The walls should be roughly plastered. As the first freed slaves and early fisherman a few hundred years ago did not have all the tools, one should try to emulate the true texture of early West Coast cottages! The cement was made in lime kilns as I have explained in an older blog. This lime was also mixed with salt to "paint" the walls white.

Windows and doors were made from the salvaged wood from the many ships that met their ends on this coast. As the ships were painted for protection, the locals would always try to get hold of paint to repaint their woodwork. Blue and sometimes green were the preferred colours. Today the blue shutters, doors and windows give unity to the street scenes. I loved the way the orange aloes complimented the blue shutters in this scene. And please do not miss the rocks on the roof as if they are anchoring the corrugated roof and chimney. Ah, detail is everything!

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Lime Kiln at Yzerfontein

Before taking the R27 northwards along the West Coast, I crossed the road to inspect the lime kiln on the way to Yzerfontein. This one is a National Monument, well cared for by a caretaker whose cottage lies just behind it. Motorists may stop and enter the enclosure to see a close-up of one of the most important contributions to civilisation. I did not know this myself, but in Morgan’s Run by Colleen McCullough, (a book I have mentioned on this blog before), it is well explained: when a settlement starts, there are usually only wooden structures, and only if people could get hold of cement, could they start rising a town with proper buildings.

350 Years ago when the Dutch started the refreshment station at the Cape, they built these lime kilns to burn mussel shells to use as a binding material. It is built from limestone that can not crack and burst when heated and has a layer of mesh above the oven. Mussel shells, of which one can still collect by the ton full onYzerfontein’s famous ‘sixteen-mile beach’, were layered with dry wood before the whole lot was fired. After some time the fine ash would fall through the grid. The enclosure where it was then mixed with water and left to dehydrate is also visible in my picture. The resultant stuff could be used for a binding material similar to cement. When mixed with salt, also found on the West Coast, and animal fat, it became thick pure white limewash to protect and embellish those lovely Cape Dutch and West Coast buildings.

The kiln was still used as late as 1976. There is also a one-third scale miniature replica of a lime kiln next to the Yzerfontein Tourism Buro building, the thatched building I painted in April and called A Rare Gem. I have loaded three paintings this morning. Be sure to read the other two stories below.

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