Into the New Year 2: The Wheatfield and Why it was Successful

I am still not posting but am reared to go full steam ahead after the 15th of January. Some of the more energetic members of the family are climbing Lion's Head at this very moment. I have done it a few times in the past....you do not have a straight climb but you circle around and around...yes 360 degrees of splendid views. Some I my new followers mentioned that they will visit the country during the soccer olympics. Make a note of climbing Lion's Head!

As far as NYR go, I have to learn more technical skills....like I really do not know how to show the blogs that I love to follow or how to insert a link! But to post this morning I have decided to look back to my most successful painting and analyse why it worked. I hope that some of this will be helpful to others too: My depiction of a Wheatfield in the Swartland outstripped all my other paintings in popularity on the blog, on Facebook and according to e-mails I received. Why did it work so well and what will help me in future when planning a work of art?

1. 
   
   Building up some anticipation. Looking back I can see that I was in quite a fix. It was stormy and rained a lot when we expected summer weather. I could not reach my wheatfield. So I kept referring in the social network to this golden field eluding me. I can now see that waiting for it was part of the allure of the painting when I eventually encountered sunny weather and could complete it.


2. 
   
   Yellow Colour Magic: Kandinsky, as he opened the way towards abstract painting, did a very good study of colour. He called light blue a receding colour and yellow an advancing colour. We also have science encyclopedias at home where yellow is named for its "shouting" properties, in other words yellow attracts attention and advances towards the viewer. Also remember Van Gogh's several sunflower paintings where the flowers and the background are in different hues of yellow. There are many colours with great qualities waiting to be used this year.


3. 
   
   Nostalgia: A wheatfield painting comes with the built-in emotions that relates to bread, frugality, survival, goodness and health. I was tearful myself when I received ALL the words of America the Beautiful in my comments! A record comment in length and if that kind lady will send me her address, I will mail her a print of the painting. As for the future, there are many topics which are bathed in tradition!


4. 
   
   Biblical Connotations: Wheat and bread has always played a soft role in religion. In the stories...Ruth and Boas...and in the time-honoured ceremonies. This year I will look for more scenes with universal appeal!


5. 
   
   Art Historical Connotations: Of course a wheatfield stands in the tradition of Constable, Van Gogh (who did several paintings of wheatfields, both happy with sunshine and bales of wheat as well as threatening with reapers and crows), Morisot, Monet and Van Ruysdael. There is also the modern earth art work by Agnes Denys near Manhatten. Look it up, it is a famous contemporary statement! There is a great upsurge in History of Art, I will use my art books and magazines this year!


6. 
   
   Composition: As was realised in the Renaissance curly lines and diagonals bring movement and agitation to a painting but calm horisontals leads to a comfortable state of mind in the spectator. In the market, many buyers of art would prefer this restfulness against a living room wall to encourage "winding down" or in a boardroom to sooth anxiety. The wheatfield I painted, answered this need of a pieceful, soothing piece. In the coming year, I will plan ahead the type of mood I want my compositions to generate.
   

I encourage all art bloggers out there to consider their best pieces of the last year and to ponder for a moment the elements that made the work a success!